Project-Based Learning is an approach that exhibits many dimensions. Students learn through the experience of doing. Early Learning and our Early Learners in many ways have mastered the art of Project-Based Learning and the Reggio philosophy is very much aligned with that approach. It begins with setting up a stimulating environment (not too much, not too little) and observe what children do, through play. Students at this age are naturally curious to explore and it is us as educators that need to respond to the pathways each individual (or group) is intrigued about, connected to or interested in. Let students determine their own learning landscape. There is a huge parallel with PBL here. Sometimes educators can ignite and motivate students to explore a particular path, and sometimes it comes from the students to spark their own passionate pursuits. In balance, there needs to be an interplay of both.
The important thing here is that schools create the space for students to explore areas that speak to them. It is a lot like a calling. The magic in these moments is that inspiration can come from everywhere. It may be innate and the time is ripe to listen to this voice and act on it. Sometimes it could be something that strikes like a lightning bolt out of nowhere. It’s all beautiful. It’s what we do with this magic dust that makes the difference with how students interact with this new found learning experience. Do we breathe life into it or blow the dust away?
Above I mentioned the power of Early Years and Early Learning. At this spectrum in schools, learning needs to rise up and radiate throughout the rest of the school and then cascade into universities. A bit more pressure needs to be applied so that universities review their old habits and traps of learning. We have to be better than ‘managing people’ or ‘generating profit’ as our model for higher education.
If I was to characterize PBL in very simple terms using contexts I’m familiar with… it would be to combine the Grade 5 PYP Exhibition (Year-long) with the Early Years philosophy of purposeful play. A pinch of seeing the environment as the third teacher, a dollop of observing what is revealed and a cup of allowing a flow of exploration and discovery. A merging of these two worlds and releasing the learning so it is unfiltered. This is the world I hope our students get to interact with.
Some may argue that this approach is not rigorous enough. What is rigor though? Rigor is not looking busy, being quiet and doing lots of writing – that’s compliance. My definition (in essence) of ‘rigor’ is creating a learning environment that inspires, where students are able to skillfully interpret and construct meaning and seek ways so that understanding is transferable in different contexts. So how can we ensure PBL covers core content and subjects? This is often asked by parents and teachers. We all know that learning something we’re not interested in equates to passive learning; therefore, not much learning is really happening anyway. There is far greater benefit if students are learning about what is timely for them, see relevance and meaning in what they want to do. It’s vital that they see and value learning as constantly moving from one shape to another. This is where being reflective about their growth and progress (high and lows) on a continuum of learning. Students are empowered to set goals that are realistic and also challenging. As advisors and connectors to learning, we need to guide and coach individual students towards areas that they need to be exposed to and having them understand the purpose of how that learning is interconnected, transformational and transferable. Let this process be a natural and highly-personal experience for them. This approach will have a deeper impact when developing new understanding(s) to existing knowledge. This is what constructivism is and it works.
The university conversation is one that still needs a lot more time. My hope is that university entry is based on merit, contributions to society and digital portfolios that document authentic experiences that demonstrate learning in action. Not testing or assessment. The assessment is weighted in the doing, being and showing, not in a timed examination without access to resources – that’s not real-world.
Imagine a world where PBL become the norm, not the exception. Imagine a world where students could show their intelligence, personality, uniqueness, quirks, and talents in creative ways as a showcase of who they are as young dynamic moral leaders. Imagine a world where success was based on confidence, optimism, resilience, problem-solving and creativity. Imagine a world that actually looks at how far you have grown over time, not where you stand at that point in time. Imagine a world where we were telling raw human stories about all our breakdowns and breakthroughs and how this shaped who we have become. It is my hope that universities don’t measure success on a raw test score of what you know or have memorized a few days before. But it is determined rather on what you have achieved and accomplished over the course of many young adolescent years, not the scarce accumulation of one or two. Again, this is why Early Years needs to push up through our tired school systems to ratify change and renewal. It is simply too top-down in our education system, where it needs to be from the roots up from a nutrient foundation.
We are just scratching the surface. There are some great educators out there doing great things for our deserving kids. I encourage those who have a hunch that things are not right in our traditional school system, to experiment and tinker with giving PBL. Whether you call it Passions Projects, Inquiry Time, 20% Time or Genius Hour… have a go. Your students will thank you for it and will surprise you every step of the way. It’s the only way we are ever going to shake things up – demanding different!
Recently, Chad and I ran three days of professional development at United World College Maastricht.
Every session had a different focus: we wanted to provoke different types of thinking; we wanted people to collaborate (or not) differently; we wanted people to experience different emotions and sensations; we wanted people to move (or not) in different ways.
Over the course of three days, we must have changed the physical set-up of the space more than 10 times. We moved, changed, found, borrowed, adapted and replaced furniture, lighting, display boards, music, scents and resources over and over again to try and achieve the desired effect.
This is not something we just do for teachers. It has become a natural part of our pedagogy. If we want students to think, feel or act in a particular way – which we always do – then we take the time to set up for that. We don’t just assume it will happen and then get all disappointed (or, worse still, blame students) when it doesn’t happen.
- when we want students to focus on one thing, we set up a space in which all other distractions are removed
- when we want students to be calm, we set up a calm atmosphere with lighting and music
- when we want students to create, we set up a studio space that promotes creativity
- when we want students to collaborate, we set up furniture that encourages togetherness
- when we want students to be able to access materials easily, we set up so that everything is accessible quickly and easily
- when we want students to…
I could go on… but I think you’re getting the point! The only time we don’t set things up for students is when we want them to set things up for themselves, when that is the focus of the learning. But, come to think of it, that involves some setting up too!
The scary thing about setting up for learning is that there are many educators out there who don’t do it, who don’t see the purpose or the power of it, who don’t take the time to ensure that their students are thinking, feeling or acting in a way that maximises their potential in each learning situation. Then, when their students are fidgety, when their students misbehave, when their students don’t produce what they’re capable of, when their students’ thinking doesn’t go as deep as it could, when their students make thoughtless choices, when their students struggle to find the materials they need, when their students become irritable… they point the finger at their students, not the fact that they didn’t spend 30 minutes setting up.
Think of the classroom, or learning space, as a series of dinner parties. Take the time to create environments and atmospheres according to the purpose.
There is considerable hype around the Studio 5 model that is currently being piloted at the International School of Ho Chi Minh City… and rightly so. Studio 5 is a brave concept that doesn’t just pay lip-service to the philosophies upon which the IB Primary Years Programme and other student-centred, inquiry-based frameworks are built. It creates the conditions for all of that philosophy to become practice. Very rare.
Don’t be fooled though.
This stuff is not new.
Progressive and innovative educators have been doing some of these ideas for years. Schools have been designed around them. Movements have evolved around them. Books have been written about them.
But, these have either fizzled out, faded away, disappeared or survived as weird exceptions to the rule. Perhaps sustained by wealthy benefactors, enigmatic leaders or a powerful niche market.
Studio 5 is a wonderful example of what is possible. But it is critical that anyone hoping to move their school, or even just a part of it, towards a similar model must understand that Studio 5 didn’t just appear out of nowhere. It comes after four years of smaller, very significant, steps. Shifting mindsets, pedagogies, structures, systems, habits, priorities… incremental changes to these over a sustained period of time cleared pathways, opened doors and generated momentum.
Each change was a question that could only be answered by the next change.
Without this evolution, one in which the Studio 5 model was genuinely a natural progression, it would just be a novelty.
In a series of upcoming posts, I will reveal the milestones in the evolution of a school in which Studio 5 is possible. Perhaps these can provide tangible ways that other schools can begin to consider similar change, but change that is logical and natural in their context.
Kath Murdoch says that inquiry teachers “let kids in on the secret”, and I totally agree.
Far too often, we keep all of the planning, decision-making, assessment data, idea-generation, problem-solving and thought-processes of teaching hidden away from our students. Because of this, teaching becomes something that we do to students, not with students. As long as we are doing all of those things ourselves, behind closed doors, education will retain its traditional teacher-student power relationship and, no matter how often we use fancy words like “agency” and “empowerment”, students will continue to participate in, rather than take control of, their learning.
PYP teachers take simple steps to “let kids in on the secret”, to collaborate with their students.
They begin by showing students that their thoughts matter – they quote them, they display their words, they refer back to their thinking and they use their thinking to shape what happens next. When students become aware that this is happening, their relationship with learning instantly begins to shift.
Then, PYP teachers start thinking aloud – openly thinking about why, how and what to do in front of their students and not having a rigid, pre-determined plan or structure. This invites them into conversations about their learning, invites negotiation about how their time could be used, what their priorities might be and what their “ways of working” might be. There is a palpable shift in the culture of learning when this starts happening, from compliance to intrinsic motivation.
Finally, PYP teachers seek as many opportunities as possible to hand the thinking over to their students deliberately – not only because they have faith in them, but also because they know their students are likely to do it better than they can themselves! It’s shocking how frequently we make the assumption that students are not capable of making decisions, or need to be protected from the processes of making decisions, or that getting them to make decisions is a waste of “learning time”. As soon as we drop that assumption and, basically, take completely the opposite way of thinking… everything changes. Hand things over to them and they will blow you away! I still love this video of my old class in Bangkok figuring out the sleeping arrangements for their Camp and doing it way better and with more respect than a group of adults ever could!
So… today, tomorrow, next week… look for ways to let kids in on the secret, and let us know what happens as a result!
Bill and Ochan Powell (rest in peace, Bill) always say, above all else, “know your students”.
The written curriculum in your school is the students’ curriculum.
Your curriculum is the students.
They are learning about all the things expressed in their curriculum (and hopefully much more!).
You are learning about them.
Understanding this will help you make the shift from “deliverer of content” to a facilitator of learning, a designer of learning experiences and a partner for each of your students as they learn and as they navigate their curriculum. Each day, you will arrive at work full of curiosity, poised and ready to:
- get to know your students better
- inquire about them
- research into them
- get a sense of who each of them is in the context of learning taking place at the time
- discover what motivates them
- find out what interests and inspires them
- help them develop their own plans for learning
- get a sense of what they can do and what skills they may develop next
- learn about how they think
- try a wide variety of strategies to do all of the above
- never give up…
It is a very exciting moment when PYP Teachers realise they are inquirers who are constantly seeking, gathering and using data (in it’s most sophisticated and powerful forms) about their students.
It is this realisation that sets apart genuine PYP Teachers from those who simply work in a PYP school, for the two are vastly different.
Once teachers have a good sense of the “big picture” of units, they turn their attention to designing the initial learning experience, or provocation, for their students. Not much more than this should be planned as everything else really depends on how students respond to this initial experience.
When designing powerful learning experiences, it is important to consider these points:
Check teacher attitudes – all teachers involved need to be genuinely curious about their students and how they will react or respond to learning experiences and see themselves as inquirers who are researching their students.
Return to learning – continuously remind yourselves of the desired learning in the unit and also be aware of any other learning that may unexpectedly become part of it.
Know your curriculum – familiarity with the curriculum – basically “knowing it like the back of your hand” – means you can plan for learning and also include unexpected learning as it arises.
Understand difficulty and create struggle – students will only really reveal useful information about themselves to you if there is an element of challenge or struggle involved. This is what separates a provocative learning experience from an “activity”.
Consider group dynamics – be very purposeful about how you intend your students to work… are you looking for them to think independently or to collaborate? Are their choices about how to work part of the information you’re looking for?
Collaborate for effectiveness – work well with your colleagues to make sure each of you has an active role during the experience, such as observing and documenting in different ways.
Test on yourselves – it’s always a good idea, as well as fascinating, for teachers to try out a learning experience on themselves to see how it feels, what is revealed and whether or not it is really worth doing.
Use pace, place and space – these three elements are often overlooked, yet can totally make or break learning experiences. Think carefully about how time will be used and how you can read the situation to add or take away time accordingly. Think carefully about the best location for learning experiences to take place and how that location could be adapted for the purpose. Explore the space and discuss how you can use space intentionally, including the movement of students and the placement of materials, to create the right feeling and atmosphere.
Understand the power of mood – explore ideas and strategies for the creation of particular moods to enhance learning, such as relaxation, mindfulness and music (I’ll write a posting about this soon). Most importantly of all, have high expectations for student attitude and let them know you care about it and take it seriously.
In this, the first ever Time Space Education Podcast, Chad, Cathy and Frank and I discuss the purpose of our work and what our professional focus is at the moment. Naturally, however, we drift into lots of other